The image of a lonely little robot (the latest in the world) that does its work methodically picking very interested trash director / screenwriter Andrew Stanton from the first time the issue came at a dinner with colleagues in 1994. But it took many years until he found a unique story that could develop the full potential of the character. Stanton explains: "I loved the solitude that this situation evoked and the immediate empathy that causes the character. We spend much time trying to get the characters of our movies are attractive and able to wake the public interest. I said, 'What do I do with a character like this? ". And do not take me long to realize that the opposite of loneliness is love, or the company. I was hopelessly attracted to the idea of \u200b\u200ba machine in love with another machine. Especially with the backdrop of the universe that no longer understands the meaning of life. I found it very poetic. I loved the idea that humanity had a second chance thanks this personage who falls in love. I'm actually a hopeless romantic disguised as a cynic. This film gave me the opportunity to satisfy my romantic side, more than I usually show in public. " Jim Reardon, a veteran director and story supervisor on "The Simpsons" (The Simpsons) who directed 35 episodes of the series and oversaw nearly 150 stories, joined the project as director of history in "WALL • E". He finished writing the screenplay for the film along with Stanton. According to Reardon: "We started with the idea that 'WALL • E' was a comedy, but halfway through we realized that the film was a love story. WALL • E is an innocent and childlike, which ends up causing a huge impact on the world. In fact, the storyline of the film is about EVE. Her character is suffering more changes, and the film is about her and him. Stylish, very techno-sexy and looks very futuristic. He has been designed to do its job, and is rusty, dirty and ugly. But we were convinced it could be a great love story. " Producer Jim Morris sums it up nicely. "This film is a mixture of genres. It is a love story, a science fiction movie, a comedy, a romantic comedy. " One of the Stanton key points in creating the story for "WALL • E" was the idea of \u200b\u200busing musical imagery and songs of the 1969 film version of "Hello Dolly" to help shape the personality of WALL • E. In fact, you see WALL • E and over an old tape of that film (the only one) is what has led him to harbor romantic feelings.
Stanton said, "I wanted the musical elements appropriate for the film, and coming up with 'Hello Dolly' was the best thing that could happen. The song 'Put on Your Sunday Clothes "with his foreword' Out There ', seemed to fit perfectly with the issues addressed in the film, and at the same time, it was the kind of music you expect to find in a movie like ours. It's actually a very simple song, and 'Hello Dolly' is sung by two guys who do not know what life is. Want to go to the big city and 'will not come home until they have kissed a girl. " The song is very simple, happy and fit perfectly with the movie. When I found the song "It Only Takes a Moment 'I'm sure it was God's work. The song became a great tool to show that WALL • E want to know what love is. "
The producer Morris said: "He just wants to WALL • E throughout the film is to take someone's hand because it is what you learned watching 'Hello Dolly'. In the film, is how to show affection towards others. "
Stanton added: "I realized it was cool. At that time musical film showed two people holding hands and I knew we had to do the same, "he says. "I always felt strongly the animation can tell us many stories in ways as diverse as any other genre, but few attempts have been more daring to bias the animation, "Stanton concluded .. "I felt very proud to participate in the origin and creation of 'Toy Story', because I felt that the tone of the film, and told how he was breaking with many prejudices. And I think we can go beyond those limits. Even before I knew that this movie would be called 'WALL • E', I knew we could continue exceeding those limits. I am very proud of the opportunity I had. The film has met all my expectations. "
The co-producer Lindsey Collins notes: "Andrew's films have an incredible emotional burden are the foundation on which the moments are based action adventure . Write stories with very simple and is easy to identify. Although the film has far-reaching in concept and scale, as a writer, is very personal. He likes to write about little people whose career or whose struggles have a big impact. In 'Finding Nemo' (Finding Nemo), Marlin undertook a journey, and by chance, Dory was a huge impact on him. And that's what made him change.
"Similarly, WALL • E ends up being a hero by chance. Has the ability to impact humanity and the most paradoxical is that it is the closest thing to a human being left on Earth. In fact, this little robot teaches humanity how to be human again. I believe that this paradox with the sincerity of the feelings will penetrate deep into the audience. "
Source: Walt Disney Studios
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